Creator to Creators With Meosha Bean

Justinereneefla instagram Spilled paint. WATCH SERIES HERE Inclinenation Instagram BioJustine Renee is an actor and improviser driven by a deep passion for storytelling and creativeexpression. A graduate of Suffolk University with a degree in Theatre, she has performed in numerous stage productions, including Crimes of the Heart and Hair.Her training includes Improv Performance and Stand-Up at Sak Comedy Lab, as well as improv studies at The Groundlings in Los Angeles. She is also a cast member of the MallRatz Improv Troupe. Justine’s on-screen career continues to grow, with recent credits including Spilled Paint (now streaming on Tubi) and a Lifetime movie set to premiere in late 2025. She is a proud recipient of a Golden Telly Award for Social Change, honoring her work in the arts and beyond.An advocate for embracing authentic creative voices, Justine believes that the power of art lies in ourability to connect with our true selves and express that uniqueness in everything we do.BioThe “extraordinarily mundane” Jamie B. Cline (as no one calls him) likes to liven up life through art, so he decided to get an MFA from USC for (performing) and then stick around Los Angeles because why not. Portraying the role of Patrick Walsh has been an amazing journey amongst some amazingly talented creative artists and hopefully this is just the beginning of everyone’s journey with Spilled Paint. Other recent credits include performing in an online short play by Douglas Stark with Playzoomers, as the Jackalope in Easter Bloody Easter, and as Charles Goodnight in the documentary short Freedom on the Range.  Whether he’s acting, writing, improvising, doing creature work or stunts, Jamie holds to the belief that art should be an experiential journey for everyone and the best part of the collaboration is sharing it with an audience.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

https://distrokid.com/hyperfollow/crazyjames/bthdYoutubeInstagramBioLUTON, UK – June 2025 — British rapper Crazy James returns with his latest sonicfirestorm, “BTHD,” a track that fuses raw emotion, stunning lyrical agility, and head-nodding production into one unforgettable ride. With lush piano flourishes and a beatthat’s as fresh as it is infectious, “BTHD” showcases Crazy James at the height of hisartistry—delivering a flow so passionate and magnetic, it’s impossible not to feel it.“BTHD” stands for Bone Thugs-N-Harmony Disorder—a title as intriguing as the recorditself. “I’ve always been a massive fan of Bone Thugs-N-Harmony,” James explains.“They’re a big reason I started rapping. This song is really an homage to them and theirmelodic sound.” While the Cleveland legends never had the same breakout fame in theUK as in the States, Crazy James makes it clear that their influence runs deep in hisDNA.From the first piano note to the final verse, “BTHD” radiates energy and intent. Theproduction strikes a balance between classic and current, evoking nostalgia whilesounding distinctly 2025. James’ delivery is sharp, emotionally charged, and beautifullydynamic, with verses that dance between reflective storytelling and fast-pacedwordplay. “When I heard the beat,” he recalls, “I had the melody in my head straightaway—singing it in the shower, humming it constantly. Even if it was gibberish, I had toget it down. Then I started shaping it into something real.”Fans of anime will find something extra to love in “BTHD” too, with James sneaking inreferences to Dragon Ball Z—a nod to his love of animation and layered lyricism. “I liketo play with words,” he says. “People always say I’m hard to categorize—but that’s thepoint. There’s no sound for me. I just create what’s true.”The single is part of a larger creative vision that includes his forthcoming LP, featuringprevious releases like “Whip It,” “Levels,” “Killer Instincts,” and “Show Me”—many ofwhich have already caught the attention of BBC Introducing. “Everything on the album isintentional,” James says. “You won’t skip a single track.”The new music video reflects that same cinematic ambition. It intertwines visuals forboth “BTHD” and “Killer Instincts,” carrying on a narrative thread started in the “Levels”video. “The goal was to make the visuals feel like a continuous story,” James shares.“There’s even a teaser for the next single, ‘Higher Learning in Berlin.’ We’re planning tofilm in Berlin later this year.”What sets Crazy James apart isn’t just his sound—it’s the spirit behind it. Drawing on achildhood spent across Ghana, Belgium, Congo, Saudi Arabia, and the UK, Jameschannels a multicultural perspective into music that’s rich with soul, struggle, andhonesty. Whether he’s reflecting on mental health, fatherhood, or artistic integrity, hedoes so with an unshakable authenticity.“Performing live is hard,” he admits. “I give all my energy. But it’s worth it. I rap toexpress what’s inside me—and to let people know they’re not alone.”Outside the studio and stage, James juggles a full-time job and fatherhood. “It’s tough,”he says. “But I want to leave something behind—not just for my kids, but for the world.”With “BTHD,” Crazy James proves he’s not just rapping—he’s building a legacy.“Thank you for the support,” he says to fans. “Please keep sharing. More amazingmaterial is on the way.”Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Youtubehttps://www.lbdcorptherightchoice.comInstagramBioTo her careers as an entrepreneur, author, MC host, and inspirational speaker, CatreseAlston, under the artist name Queen Diamond, has added singer/songwriter to her list ofaccomplishments.She has just released four songs, hip-hop and R and B, but “Money Wave” is THE song.“‘Money Wave’ is talking about me, in a sense, and also as it relates to money,” shesaid. “It’s talking about how you get that money and live that life.”It is kind of like her inspirational speeches rendered in hip-hop, with a beat and a chiming melodyand an upbeat rhythm that perfectly punctuate the lyrics, which are possibly the only hip-hop inexistence that includes the word “portfolio” and the term “LLC.”Imma show you how it’s ’bout to go downPortfolio fat like them 808 drumsLLCs, that’s how freedom comesEvery single deal—ka-ching—outcomes“It’s basically telling you how you can make it,” she said. “I’m telling them you got tohave those LLCs in place, and you got to be able to turn those deals into moneyoutcomes. Sometimes you don’t have to move where everybody can see everything.You need to move in silence. And when you move in silence, but you move effectively,those checks gonna scream loud.”Turn a risk into a ring the way I marry sumsPower moves quiet, then the check screams loudJumpin’ off the jet in designer, head-crowdEagle-eye vision—spot a bag in the cloudIt is almost certainly the most fun financial advice you will ever hear.It is also a personal statement of intent.“I have held back. I’ve had a lot of challenges in life, and I have kind of been on theback burner because I’m always putting everybody else ahead and helping everyoneelse. But now I’m gonna show you how it’s about to go down for me.”Music is something she has always wanted to do, but life, the need to make a living andsome extreme hardships intervened.“I got pregnant at a young age. My mom was murdered when I was five. Mygrandparents raised me and my brother, but they both died by the time I turned 18. So,I’ve always been independent and finding my way, and music was what always mademe feel better.”She passed her love of music on to her children, who are now singers and rappers intheir own right, and she has her own production company, BossCat Entertainment.“I pushed them and supported them, and now they’re pushing and supporting me.”The tipping point that decided her on doing what she always wanted to do, began duringthe time of COVID, when she discovered she had stomach cancer. She beat it, andearly this year she celebrated her fifth year of remission.One particular moment was when she was playing around with her music with a friend,who said, “Oh my God! You should be doing something.”“And I said oh, no, that was a dream I had before, and she said, ‘Okay, you’re not tooold to live your dream.’ And I said, ‘You know what? That’s one of the things I want meto do.’ And so now, after overcoming cancer and even going blind in 2023 and gettingmy vision back, everything that I always wanted to do, I’m going to do it.”Of the four songs she has just released, “It’s My Birthday” is pure hip-hop celebration,with what sounds like a bass sax joining the drum in the beat, and “Pleasure and Pain”is an R&B and hip-hop fusion on relationships — the pleasure and the pain.The other two, “Money Wave” especially but also “Stone Cold Lover,” are Catresestaking out her ground as Queen Diamond.“‘Money Wave’ is letting you know I’m coming forth. I’m wearing the crown, and it is theQueen Diamond era.”In “Stone Cold,” the singer is talking to a lover, but warning him, too.“I’m trying to reach my goals, and although I may want someone to be beside me, and Imay care about you, you can’t let your emotions get involved, because I’m on amission.”I’ma show you how it’s ’bout to go down—Risin’ to the top, we don’t play ’round—Money wave comin’, watch me surf that “Money Wave” is all about the mission, and money is a big part of that, but it’s noteverything.“I’m about building a legacy,” she said. “When you leave this earth, what do you leavebehind? I’m not talking about things that can disappear. Materialistic things, they can bedissolved. How have you impacted somebody else’s life, through inspiration, throughwords, through motivation, through music?”And, the music is also about fun, which comes out when you ask her what she wants todo with it, where she wants to go with it.“I want to have fun with it. I want to be able to reach a vast amount of people, share mystories through my songs, because it’s very relatable to a lot of things that people dealwith in their life, and I want to be encouraging.”Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

SpotifyYoutubeSpellboundpic TwitterBioPamela Edwards McClafferty didn’t grow up hearing war stories. Her father, a WWII veteran,lived in silence with his memories. She noticed that her father-in-law, the quiet sailor, alsoendured as did many other veterans she met. The silence of these men and women is the spiritbehind the haunting ballad, “SOLDIERS NOT FORGOT.”Released just before Memorial Day, this is a song giving voice to what generations of veteranscouldn’t say out loud. It is a tribute “to my father,” Pamela says, “and all who now defend anddid defend and protect our country.”While working on the musical Artland, with Stanley Clarke, the lyrics of this song lingered as shekept thinking about soldiers returning from war. Who did they talk to? How did they feel? Howlonely they must have been. This was long before therapy apps or terms like PTSD.“SOLDIERS NOT FORGOT” is a slow burn. Singer Lain Roy, whose family has a militarybackground, carries the track with a voice that blends soulful grit (reminiscent of John Legend)with deep feeling and memory. As the song reaches its climax, Roy soars into a sustained highnote as the music drops out. It’s pure emotion:In peace, we soldiers live like other menYet a hint, a sound, fans memory’s embers again.“I hope that SOLDIERS NOT FORGOT helps veterans heal from such traumatic experiences ofwar, helps to raise awareness of the soldier’s true stories, and shows the impact war has on ourmilitary members.”Also performing on the track is Tzuriel Tong, whose piano and cello work weave around Roy’svoice with sparse elegance. Tong plays piano and cello and mixed and mastered the track.Michael Parnell was the arranger.The song’s co-producer, Pamela’s partner, Mark McClafferty, feels the weight of the song, too.His father served on the USS Laffey in WWII — known as “the ship that would not die.” Hisfather never spoke about the war until he read the lyrics of this song. “My Dad got emotional. It’sthe first time I had ever seen him cry,” Mark said.“SOLDIERS NOT FORGOT” has that kind of power. It opens doors slammed shut by society.Not for explanation, but for recognition. For remembrance. For release.“Above all, this song is a gift to all veterans, to their families and all people who wonder whathappens to the men and women after their uniforms come off,” Pamela says, “because evendecades later, for many veterans, the war never ends:We fight to the death, we fight to liveThat’s our Hell, for others to liveThat’s what we giveWith “Soldiers Not Forgot,” McClafferty has carved out a space for silence to speak. And for allof us, the recipients of the sacrifice of veterans, to finally hear it.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Watch film here Aria Appleton Shines https://www.primevideo.com/detail/Aria-Appleton-Shines/0KQQSU3KV9JHQ6LC5HIBWUIXXS BioNathan D Myers is an award winning Creator with Actor, Director and Designer credits. Nathan was the Lead Designer of the Capernaum Studios & Gardens project featured in seasons 1-3 of the global hit, episodic series The Chosen. He recently Production Designed the feature Matter of Time with Sean Astin (Premiering at DIFF this month) and in the process was sworn into the Goonies by “Mikey” himself! Nathan designed the flagship faith-based series County Rescue for Great American Pureflix, now in its second season. He recently held the position of Supervising Art Director on the Rick Eldridge Feature Florida Wild starring Aspen Kennedy, Mira Sorvino, Lee Majors, Chandler Riggs, & Bailey Chase. Nathan also has a small acting role in the film opposite Jonathan Schaech. Nathan is August 2025's Film Camp Director at Dallas Jenkins' The Chosen CHFA Film Camp at Camp Hoblitzelle. Nathan is also the Founder of Grafted Studios, Inc, and Co-Founder of the Fort Worth Actors Studio; As an Actor, he has been on stage and in numerous shorts, shows and several features. He recently guest starred in Vindication Season 4 E2 opposite Todd Terry and Julie K. Rhodes. As a Director, he has Directed several shorts and commercial pieces but he was also the Director of the multiple award winning (including the ICVM Gold Crown Award Feature Comedy Aria Appleton Shines– Releasing this year! He also wrote all six original songs within the very musical movie, and co-wrote additional songs with his biological brothers, The Myers Brothers, songs now attached to the movie. As an Author, Nathan has penned screenplays, commercials, songs, poems, and the upcoming Artist-Unblocking book for Actors and Creatives, Acting Dangerously, emotional memory and PTSD. Nathan is a homeschool Dad of two clever kids and married to the beautiful and talented Bio D’Lytha Myers. D’Lytha Myers is a homeschool mom of a 12 year old daughter and 3 year old son, the Director of Fort Worth Actors Studio, and is the Creator and a Producer of the feature film, Aria Appleton Shines. Prior to bringing forth tiny humans into the world, she was a full time stage and screen actress. She started in 2002 at Casa Mañana, a regional theatre in Fort Worth, as a Resident Actor and teacher. A few of her favorite roles have been in Man of La Mancha (Antonia), Oklahoma! (Gertie), and Roger’s and Hammerstein’s Cinderella (Cinderella), as well as the feature film Rain (starring Academy Award winner Faye Dunaway). She has a B.F.A. in Musical Theatre from The University of Oklahoma, an M.A. in Drama from Texas Woman’s University, and studied abroad at The Gaiety School of Acting in Dublin, Ireland. In her not-so-spare time, she sits on her couch and marvels at God’s sense of humor for giving her a three year old boy in her mid-40’s. Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

American Artist MAL€K Releases New Single “Toastto That,” a Genre-Bending Celebration ofSerendipitous ConnectionBioWest Coast artist MAL€K (born Kalin Curran) returns with “Toast to That,” a magneticlead single that weaves hip-hop, pop, and elements of country swing. Building on theemotional depth of his previous work, the track leans into a narrative of unexpectedconnection, capturing that surreal moment when a stranger becomes something more.The track is a nod to fate, flirtation, and the cosmic odds of real chemistry, all setagainst a cross-genre backdrop that reflects MAL€K’s boundary-pushing musicalinstincts.“It’s about that kind of unexpected connection that forms, and moves you so much thatyou want to celebrate it, acknowledge it, or appreciate it in some way,” shared MAL€K.In many ways, this single also serves as a toast to MAL€K’s artistry and technicalprowess, not only highlighting his skill as a writer and storyteller but also underscoringhis evolution into a fully self-sufficient artist. By overseeing every stage of the creativeprocess—from production and mixing to mastering—MAL€K crafts a distinctive soniclandscape, defying genre conventions. “Toast to That” exemplifies his meticulouscraftsmanship, marrying narrative depth with innovative production to deliver a cohesiveand compelling work that cements his place as a contemporary artist.“Years ago, I let someone work on my vocals and was not pleased with the results, so Ipromised myself from that moment I would learn what I needed to, I promised myselfthat no one else would touch my voice or sound, but me!” said MAL€K“Toast to That” is the lead track from MAL€K’s third album, The Never Ending Story PartIII: The Rolling Stone, set to release on May 31st. This album delivers a cinematic sonicpunch, immersing listeners in a vivid, fictional chapter of MAL€K’s life—a restless“rolling stone” with a bottle in one hand and a mic in the other, embodying a rockstar-popstar hybrid caught between chaotic highs and haunting truths.The record journeys through contrasting scenes: from whiskey and picklebacks toserene countryside escapes; from backstage mayhem to the sting of front-pageheartbreaks; from electrifying live shows under neon lights to lost nights battling innerdemons disguised as dreams. Fans can look forward to one more album before thisNever Ending Story saga reaches its powerful conclusion.“It picks up where I left off in The Never Ending Story Part II, so this is meant to beplayed top to bottom, like a movie or story,” explained MAL€K.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

InstagramYoutube SpotifyBioWin Obami is a French-American artist from Nanterre, France who now resides in LosAngeles, California. He has survived a rough childhood, growing up by himself in adangerous environment thanks to his love for music. He makes music in both the R&Band Rap lanes but he’s also carving a path in an entirely new genre that he createdhimself. The name of the genre is “Soulflow,” and it blends elements from Soul, R&Band Rap. By taking strategic elements from each of these genres, he’s able to craft melodic flowsthat seamlessly float between both rapping and singing with emotional weight anddepth. His latest single, titled “Feel Rick Ross,” features Rick Ross and finds Win in therap lane but he has more in store.Win’s single “Feel Rick Ross” features a braggadocious verse from the legendary Miamirapper which pairs well with the confident and upbeat production. Win’s goal was tomake people feel motivated and energetic with the song. However, his verse offerssomething more layered.Throughout his verse, he calls out the behavior of rappers who lack authenticity while also asserting his own rap skills. Writing this verse for the track was not a challenge for Win.“I just hear the beat and the rhythm and then write the lyrics.” he said.While this single showcases Win’s rapping abilities, he prefers singing.“I prefer R&B because it’s easier for me to express my feelings in that style.” he said.Before transitioning to rap, Win was doing covers of R&B and Pop songs at local showsfrom the years 2015-2017. He also was singing from ages 11 through age 15 andbegan to truly develop his abilities by himself at age 12. Even before this, he wassinging around his household at age 7 and his Mom also played R&B there.With his foundation in singing, it’s only right that Win would move on to create a newgenre entirely that combines techniques he’d been utilizing with ones he’s picked upfrom rapping. His musical talent has been a constant throughout the years of his life,even though he’s still young.Win Obami was born September 28, 2003, making him 21 years old as of today. Thefact he created a new genre at this young age is not only a testament to his musicalability but a feat that is uncommon for musically inclined people in general. Aspreviously stated, the name of the genre is “Soulflow.”“Soulflow” is defined as a “genre-defying sound that blends the heartfelt emotion andmelodic richness of classic soul and R&B vocals with the rhythmic complexity and lyricalflow of modern Rap.” However, Win did not purposely create this genre, it justhappened naturally through an AI tool analysis of his vocal style and techniques comingup with a name for it and people’s observations of his voice.“My friends and professionals in the music industry always said my voice was uniqueand different. At the same time, it didn’t fit in the traditional sound of Soul, R&B or Rap. Idecided to just combine them all.” he said.The analysis stated that Win’s vocal style in the Soulflow genre can adapt to a plethoraof production styles and reshape them emotionally. It is a genre that focuses on aconnection to the heart and the soul.The melodic aspects of Soulflow create a hypnotic and meditative feeling as the listeneris taken on the emotional journey through Win’s vocal stylings. Additionally, Win alsocreated the subgenre, “Pop Soulflow”, which takes the core elements from the genreand makes them more accessible for a wider audience through catchy melodies andupbeat pop production elements.In addition to making music, Win Obami is also the head of the music label IceyRecording. By releasing his music through this label Win maintains control of it.Interestingly enough, he wasn’t the founder of the label but took over as lead once theoriginal lead, who was also his mentor, departed.“It’s not hard to run it because I can produce my own songs myself. I’m focused onmaking the music now and will make the necessary connections for marketing next.” hesaid. Win Obami has plans to release more music this year. The music could be in the Rap orR&B lane but more than likely, he will continue to focus on the genre he created -Soulflow.“Feel Rick Ross” is available on streaming services now.You can stay up to date with all the happenings at Win Obami’s music label, IceyRecording, on these platforms.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

YouTube SpotifyBioSanitatem is a Latin word meaning “soundness of mind.”Saint Tatum is a Canadian rapper making sounds for your mind.The connection? Saint Tatum, born Benjamin Michael Scott, borrowed from the Latin for hisartist name, inspired by the healing positivity of the ancient term.At 16 years old, and having just released his first mixtape, Are You Awake Yet, he hasn’t hadmuch time to build a music career. But Saint Tatum is already making his mark. His new work isgaining an international audience, making it clear that the sky's the limit for the young artist.Are You Awake is made up of six tracks that explore emotion and atmosphere. He creates in hisgarage studio using a Mac and the online digital audio workstation BandLab. While he likes theDAW’s interface and effects, he has also found collaborators through the platform’s interactivefeatures.Saint Tatum’s approach to lyrics puts emotion before storytelling. “I really resonate off offeeling,” he says. In practice, this means a layered approach to sound, contrasting positive andnegative voices and energies.While some lyrics are pre-written, like for tracks “The Mirage” and “Don’t Ask Me Why,” onothers he takes a looser approach. “I just kinda let the bars come to me rather than overthinkingthem,” he says, describing his approach as like painting a picture.On the mixtape, Saint Tatum worked with YouTube beatmakers Auxiliary Beats, Vinnyx.Prod,2Facest, Yakinata, Goth Helma, and James J.The EP’s title, Are You Awake Yet, comes from a personal place of self-determination — andself-discovery. “I was going through a point in my life where I was… doing a bunch of not greatthings,” he says. By making a conscious decision to move away from negativity and pride, hewas able to break out of a cycle: “I realized staying the same was wasting my time, and changewas the only way forward.”This personal journey is what makes Are You Awake Yet so compelling. Even when Tatum’svoice is buried under layers of reverb or melted into a dreamy beat, tracks like “Love It LikeThat” pulse with vulnerability. If his music sounds like mumble rap, it’s because he wants it to —or, as he puts it, “mumble trap.” Artists like Lil Skies, Lil Xan, and Rae Sremmurd were majorinfluences. But Saint Tatum is not copying. He’s channeling.“I love making people feel the same way I did when I heard some of my favorite artists,” hesays. “That changed my life. I want to give that back.”Saint Tatum is completely independent — no label, no manager, no PR team — and he isalready thinking big. He’s got an eye on the long game, and a clear sense of who he is as anartist. “Even if nobody listens, I’ll still be making music. Living without being who I truly am wouldtake everything away from me.”For now, his focus is on connecting with listeners all over the world. Fans far and wide areresponding to the positive and healing sounds in the musical paintings of Saint Tatum.With a new mixtape ready to drop in the coming weeks, interested listeners should follow SaintTatum today. Don’t miss your chance to get an early seat on the bandwagon of this rising star.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Youtube FacebookSpotifyBioImSoTyRell is making noise with “Big Plays”, a high-energy, emotionally grounded hip-hop track that fuses hard-hitting beats with rich melodies and a powerful backstory. Drawing on his personal experiences, the track tells the story of a New York native from Queens who relocated to Charlotte, North Carolina, determined to break cycles and choose a different path from the one laid before him.The track opens with a striking image: a six-year-old TyRell watching his mother cut drugs on a dinner plate. Rather than glamorize this upbringing, “Big Plays” tells a story of resilience, personal choice, and ambition.“This song is based on my life,” he says. “I saw where the drug life could lead — I lived in it — but I made a decision to do something different. This is me taking big swings. Big plays.”While the song references his past, it also defines his present: an artist committed to authenticity. His name, ImSoTyRell, isn’t just a moniker — it’s a mantra.“Throughout my journey, people would say, ‘You should sound more like this or that.’ But I wanted people to know: I’m always going to be myself. I’m so me. I’m ImSoTyRell.”Rooted in Queens, Grounded in CharlotteTyRell’s musical roots span coasts and cultures. Raised in Queens, he was inspired by local legends like 50 Cent — whose pre-fame days he remembers from childhood — and stylistic innovators like Missy Elliott, whose influence shaped the R&B-infused complexity of his sound. He moved to Charlotte during his senior year of high school and has since made the city his creative home, performing at major venues like the Spectrum Center, Raleigh showcases, and curated open mic events.“I perform where I know I can make a moment,” he says. “It’s not about clout — it’s about connection.”Art Beyond the MusicImSoTyRell is also a storyteller beyond the studio. He’s currently producing an original YouTube series titled “Make Some Noise,” which he wrote, scored, and stars in. The project blends scripted fiction with music, allowing TyRell to further explore his storytelling talents and give voice to real-life issues through a creative lens.“I don’t want to be put in one box. I like to create music that takes you on a journey — and leaves you with something meaningful,” he says. “Too much music today feels like a run-on sentence. I want my art to make you think, feel, and reflect.”Service and Self-InvestmentTyRell’s commitment to excellence led him to temporarily step away from music in order to stabilize his finances — and return on his own terms. As a Technical Sergeant in the U.S. Air Force Reserve, he proudly serves while investing in the quality of his work.“If I’m going to do this, it has to be top-tier. I won't release something I’m not proud of.”With a strong creative team, The Fly Family (@theflyfamily), TyRell now has the support and production quality to match his vision.What’s Next: “Funds Up” and MoreFollowing “Big Plays”, TyRell is set to drop his next single, “Funds Up” featuring Kash Kyla, and release Episode 2 of “Make Some Noise”, planned as an eight-part series.Still, “Big Plays” stands as his mission statement — a call to action for anyone aiming to break generational cycles, dream bigger, and bet on themselves.“It’s a triumphant sound. It’s about stepping out, making major moves, and feeling good about it,” he says. “It could be a sports anthem or a track for a kid hooping in the park — whatever the context, it’s about showing up for yourself in a big way.”And for ImSoTyRell, this is just the beginning.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Youtube Amazon Baileygreymusic.comBioBailey Grey Emerges “Out From Under” with Jazzy, Honest, and Joyously Complex Debut“Out From Under,” the debut single from Love It All  Bailey Grey’s first full-length album showcases the arrival of a fearless new voice in pop music. Fusing jazz, blues, and danceable pop with lyrical honesty and emotional intelligence, the track is a vibrant introduction to Bailey’s musical world. With her warm, expressive vocals and genre-bending musicality, Grey creates a sound that’s both refreshingly personal and artistically rich.What makes the song even more striking is the story behind it. Bailey wrote “Out From Under” while working nights as a host in an underground London bar disguised as a sex shop. “‘It said ‘Girls! Girls! Girls!’ on the front,” she laughs, “but it was just a dive bar and restaurant. I was getting home at 3 or 4 in the morning, waking up late, and going back to work a few hours later. I felt low, burnt out, and stuck  but still trying to make time to create music and figure out my life.” The result: a song born of exhaustion, longing, and hope, shaped into a beautifully produced, timeless groove.Built on a rhythmic ticking motif that mirrors the pressure of time, “Out From Under” cleverly underscores its themes without being overbearing. Bailey’s rim-click percussion ticks steadily beneath shifting tempos  racing forward one moment, slowing down the next  as she sings lines like:“Can I make the time go slow? / And get out from under?”That emotional layering  blending storytelling with sound design  is a hallmark of Love It All, a collection that dances across genres while remaining deeply introspective. Bailey draws inspiration from iconic female artists like Amy Winehouse, Sara Bareilles, Fiona Apple, Joni Mitchell, and Dodie, while forging a voice unmistakably her own.“I get bored when I make the same kind of music,” Bailey explains. “So I zhuzh it up I blend genres, follow new sounds. I want the album to reflect all the spaces I’ve been creatively. Every song is a new lens.”A Journey From Stage to StudioOriginally from northern New Jersey, Bailey’s artistic roots run deep. She began her career as a child actor in New York’s musical theater scene, starring in the Broadway National Tour of Mary Poppins at age 10. Her credits include Stephen Schwartz’s opera Séance on a Wet Afternoon and A Christmas Rose at Carnegie Hall alongside Jane Seymour.After high school, she studied musical theatre at the Royal Conservatoire of Scotland and earned a master’s degree from the Royal Central School of Speech and Drama in London. It was during the pandemic that Bailey began writing her own music in earnest. “Theater will always be a part of me,” she says, “but I needed to start telling my own stories.”Her songs aren’t just lyrical  they’re sensory. Bailey writes from the rhythms and sounds of her surroundings. “I live in a soundscape,” she says. “There’s a rhythm in everything a bus passing by, birds outside the window, cars rushing past  and I try to build those moments into the music.”On Love It All, that soundscape comes to life:“When I Fall” features a bass ukulele and soprano uke.“Easy,” the closing track, was recorded near an open London window you can hear the distant hum of buses and passing voices.The title track, “Love It All,” is a meditation on finding wonder amid struggle: “I fall in love with every song that I hear / Polyrhythmic harmonies reflect my atmosphere.”She adores that lyric for two reasons: “I’ve never heard anyone use ‘polyrhythm’ in a lyric,” she notes. “And it’s not just clever  it’s how I actually experience the world.”Independent, Unfiltered, and AuthenticAfter returning to the U.S., Bailey made the bold decision to part ways with her label and release Love It Alll independently. “I was a child actor, and for years I had to fit into a box  play characters in other people’s stories. Now, I finally get to share mine.”With “Out From Under,” Bailey Grey arrives not just as a singer-songwriter, but as a fully realized artist  one who transforms the ache of burnout and the hum of everyday life into vibrant, resonant music.This is music that grooves, heals, and surprises  a debut that marks the beginning of an exciting, genre-defying journey.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.