Knock, knock, it’s definitely not Salieri. This week Kim and Alice are taking a look at Pitch Perfect for the Classical era: Amadeus. Why did the film clean up at the Oscars that year? Where does the line between historical truth and allegory begin? And was Mozart the bad-boy version of Hans Zimmer or a divinely talented little nerd?Sound Engineer: Keith NagleEditor: Keith Nagle / Helen HamiltonProducer: Helen Hamilton