Horror Movie Talk

The newest horror movie Abigail from the guys that directed Ready or Not and the latest Scream movies, is in theaters now. Despite the trailer spoiling everything, it's still a fun ride. Synopsis An elite operative team is assembled to kidnap a billionaire’s 12 year old daughter for ransom. They soon realize that they are in over their heads once it’s revealed the little girl played by Matilda’s Alisha Weir, is actually a centuries old vampire. Wacky hijinks ensue. Review of Abigail I had a mix of high expectations and low expectations going into this film. While the director’s filmography included Ready or Not, one of my favorite recent horror movies, the trailer pretty much gives away the whole plot, and had low quality Blumhouse vibes. I ended up really liking the movie. It’s going to be one of those movies that the less you know about it the more that you’ll like it. It establishes a micro subgenre of switcheroo vampire movies with From Dusk Till Dawn.  The film starts out as a typical heist thriller that knowingly points out the cliche archetypes of the assembled team, then quickly subverts them by giving them slightly more depth.   The titular character Abigail seems a completely innocent victim, but there is something off about her that makes you ask, is this bad child acting, or is this character hiding something? It ends up being both. While the movie is fun, there aren’t many super memorable moments, and plays out largely as you would expect.  The film loses something in the end with a twist that seems sudden and unearned when allegiances are changed in arbitrary ways. Score 7/10

Synopsis Creep 2 continues the story of Aaron, played by Mark Duplass, a serial killer who posts want ads on craigslist seeking documentarians who inadvertently film their own murders. Sara, played by Desiree Akhavan, has a failing Youtube show and decides to take Aaron up on his offer. Throughout her documentary of Aaron, she empathizes with him and barely believes him while he swears he’s a serial killer. On the other hand, Aaron seems like he has finally found his match. Will he kill her? Will she kill him? Is this the end of the craigslist serial killer as we know it? Review of Creep 2 Creep 2 is one of those sequels that actually gives a fresh look on the original. It does not repeat overdone tropes or follow the same story line whatsoever. This movie could stand alone and it still makes sense, and would still be very effective. There are funny one-liners, there are jump scares, there is a bad ass woman who won’t take any shit. This is not your typical killer chases victim movie. Besides the original, this movie is a fresh take on found footage horror, which is my favorite genre. It is excellent, it pulls all punches, and it takes you on a very adventurous ride. This truly is an exceptional feat of horror movie making as we know it. Creep was good enough, inventive enough, but this sequel takes it to a whole nother level. My only few complaints are that there could have been more fleshing out of Sara, since she is the central character, and I think knowing what’s gonna happen upon rewatching makes it a bit less effective. Other than that, it’s pretty damn good. Score 8/10

Synopsis The First Omen is a catholic horror movie and prequel to the movie The Omen. Maggie or Margaret is a catholic sister who moves from the United States to work in an all-girls orphanage and take her vows as a nun. While there she takes to a troubled girl named Carleta who seems to be slipping through the cracks of the orphanage while the other nuns consider her a lost cause and disturbed child. As she learns more about Carleta’s past Maggie struggles to protect her from the church which seems to have a sinister plan for her. The devil is involved. It's a whole thing. The First Omen is directed by Arkasha Stevenson who co-wrote the movie with Tim Smith and Keith Thomas. Nell Tiger Free stars as Margaret and gives a stunning performance as a young nun.  Review of The First Omen The first omen is everything that Immaculate wishes it could be. It's dark and sinister, giving a fresh and incredibly disturbing take on catholic horror.  The movie is long, which I am known for being a critic of, but I didn't check my watch once during this two-hour-long movie. Its shocking without being distasteful, and Nell Free’s character Margaret is a delight to watch and gives a performance that I think will be studied and copied by many possession movies to come. Even with some of the seemingly out-of-nowhere revelations that keep the plot moving I enjoyed each twist and turn. Its scary, it's disturbing, and it's fun.  Score 8/10

Synopsis This movie, directed by John Harrison, is based off the TV series of the same name. It follows a wraparound story about a kid that is going to be cooked by a woman who kidnapped him, and he tries to get out of it by telling her stories from the titular book. This movie is an anthology, with one wraparound story and three tales from the darkside, filled with frights, fun, blood, and gore. Review of Tales From the Darkside: The Movie This movie is very 1990. The style, the gore remind me of late 80s early 90s horror. I have never seen the TV show, but I can see how this film could be nostalgic to those who grew up in the 80s and had a knack for horror movies. It’s always a hit or a miss when a TV show becomes a movie, but in this case, I think it is a romp. It’s fun, the gore is good, but it’s not very scary. With a 93 minute runtime and a star studded cast, I don’t think you could go very wrong with this movie. With all anthologies though, there are going to be stories within the film that are not very good, and this movie is no exception. All in all, it is a fun time. I didn’t hate it. If it wasn’t so predictable, I would give it a higher score, but it’s very average and that is okay sometimes. We don’t wanna watch the best movie of all time every single day. Score 5/10

Synopsis Night of the Living Dead is a zombie movie about a group of strangers who are funneled into a farmhouse and forced to work together for survival. Ben, our protagonist played by Duane Jones is a strong and courageous man who takes it upon himself to lead the group as they struggle to escape the zombie hoard entrapping them in the home. Through twists and turns they learn that friendship was what they really needed all along. Review of Night of the Living Dead Night of the Living Dead is a foundational horror movie that deserves to be a classic. It has a classic zombie movie feel and did a lot to inspire zombie movies in the future. Despite my enjoyment of the film, there are still points in the movie that feel slow, and the dialogue seems to repeat itself a lot when trying to explain the situation. The makeup isn't always very convincing, at least not compared to modern zombie movies, but it's almost refreshing to see zombies that aren't completely covered in blood and gore. Duane Jones gives a fantastic performance as Ben, and it's easy to root for his strong character. Judith O’Dea’s acting is a little over the top for me at times, and her character becomes pretty annoying, but hey maybe if I was in a zombie apocalypse I'd be just as scared and useless as her.  Score 8/10

Immaculate, starring Sydney Sweeney is the new religious horror film that we’ll be reviewing today, and it goes hard at the end, so stay tuned. Synopsis Immaculate tells the story of a young American woman with heavy naturals named Cecilia joining a convent in Italy. It’s slowly revealed to Sister Cecilia that the convent isn’t as immaculate as it seems. The priest and other nuns seem to have ulterior motives for bringing Cecilia there. Once she discovers the convent’s dark and mysterious secrets, it’s too late. She be pregonate. Review of Immaculate Immaculate is a Catholic horror movie that somehow avoids all the tropes associated with that label. There’s no exorcism, no devil, and not even a  strong supernatural element. This subversion of expectations alone makes it an interesting horror movie. Structurally, the film is sound, but it feels more like a framework and not fully fleshed out. The themes and implications of the story aren’t fully explored. There is a lot of fertile ground here, in terms of exploring faith, devotion, obedience, and authority that are only skimmed over.  I wasn’t a big fan of Sydney Sweeney's acting in the first half of the film. Her demeanor and vibe brought too much 21st century ambivalence for a character that is essentially a religious zealot. However, she won me over with her acting in the latter half of the film. The film goes pretty hard with the gore and body horror, but what else would you expect from a movie about pregnancy? We are given an early taste with a graphic leg breaking scene in the prologue, and the final moments of the film are some of the most visceral that I’ve seen in a while. The worst and most distracting element of the film was the sound. The score was terrible, and felt like it was out of a low budget student film. The Foley sound was almost comical with prolonged and impossibly loud creaks and squelches. Score 7/10

Synopsis Two American tourists David and Jack are hiking through Europe when they are attacked by a giant wolf in the northern moorlands of Britain. A month later during the full moon, David turns into a werewolf. But not any ordinary, this one is louder, friendlier, individualistic, and more confident than British werewolves. It wreaks havoc on London, biting and slashing through town while being openly patriotic. Review of An American Werewolf in London An American Werewolf in London is a classic 80’s horror movie that stands the test of time. Director John Landis brings the humor he is known for from Animal house and Blues Brothers, and combines it with the horror that he brought to behind the scenes of Twilight Zone: The Movie. The cast of relative unknowns David Naughton and Griffin Dunne bring a convincing casualness as college friends, and really sell the humor. The real star of the show is Rick Baker’s practical effects, and the werewolf transformation stands as the gold standard of metamorphoses on camera. While the film does have humor, I would more describe it as casual. Which is a great contrast to the gory violence and disturbing dreamy jump cuts that pop out at you throughout. The film isn’t too ambitious and keeps the plot to a basic monster movie reminiscent of the old universal horror movies, but it is spiced up with quirky 80’s flavor. Score 10/10

Synopsis Imaginary is a PG-13 horror film about Jessica, an artist and author who recently married Max and joined his family, becoming a stepmother to two girls. When Jessica’s father is moved into a retirement home, the family moves into Jessica’s childhood house in hopes of finding a fresh start. As the family settles in, the youngest daughter, Alice, appears to have a new imaginary friend whom she spends all her time talking to. The family soon finds that this new friend is anything but imaginary as it begins to wreak havoc on the household. The movie is directed by Jeff Wadlow and written by Wadlow, Greg Erb, and Jason Oremland. Review of Imaginary This might be one of the worst movies I've ever seen. The script is not subtle at all, and none of the characters talk like real human beings. It's almost like the writers knew what they wanted to tell the audience but had no idea how to convey their thoughts other than having the characters say them outright. The acting ranges from okay to downright awful, and somehow the best actor of them all might have been Piper Braun, the actress who plays the little girl. The movie could have been a tight hour and 20 minutes but chooses to drag on another 25 minutes at the end, making it feel like you've been in the theater for hours. Still, despite all my criticisms, there were a couple of scenes that I enjoyed, so I can't fully commit to giving this movie a 1.  Score 2/10

Synopsis When a single dad who owes child support decides to rob a rich family’s home while he thinks they’re on vacation, he unexpectedly gets locked inside of a major house of horrors, with a sadistic mask wearing man who has already decided to wreak another kind of havoc on this family’s home. Review of The Collector The Collector (2009) is a quintessential aughts horror film. The quick cuts, the over the top gore, the good guy who is actually kind of seedy but has a good heart protagonist, the Saw-like green glow of some of the scenes is representative of the era it came out into. This movie came out the same year as Jennifer’s Body, The Human Centipede, Drag Me to Hell, Dead Snow, The Uninvited and many more very famous and quite renowned horror films. Although the critics didn’t like this one, with a 29% on Metacritic and Rotten Tomatoes, I think that this movie deserves some love.This movie is definitely a hidden gem, with only a $3 mil budget, compared to other horror from the same year, with budgets as high as $30 mil. Even though critics hated it, it was a box office success, grossing over $10 mil. It’s fun, it’s inventive, there are a lot of unexpected twists and turns that keep you captivated. Although it isn’t the best movie I’ve ever seen, it has rewatchable value and it has a pretty great sequel, The Collection. If you like gore, if you like interesting kills and action packed scary movies, this one's for you. Score 7/10

Synopsis A cop named Daniel drives an injured man to an understaffed hospital after he finds him bleeding in the woods. Upon arrival, Daniel realizes this will not be just another day on the job as he is quickly forced to draw his weapon on a nurse, who attacks him in a manic rage. Before Daniel can call for help, the hospital is surrounded by unknown figures in hoods who won't come inside, but won't let anyone leave either. Wackiness ensues. Silliness abounds.  Review of The Void The Void is some sort of hodge-podge that pulls from many different movies, creating a wild ride that barely gives the viewer time to breathe. The creature designs remind me of a monster you might have to fight in a doom video game, which is definitely a good thing, and the acting is for the most part, pretty good. Some of the twists and turns this movie takes feel a little forced to me, coming out of nowhere with what seemed like zero foreshadowing, yet instead of feeling shocked and blindsided I kind of just was like, “Oh okay. I guess that's happening now”. I couldn't tell if the movie was trying to say something about pregnancy, miscarriages, and losing a child. It seemed a little like it was, I just dont know how losing a child connects to triangles, pyramids, and drug-fueled sex binges, but that's just me. Overall it's an interesting movie, worth a watch but not a must-see for me.  Score 7/10