In Our Time

Melvyn Bragg and guests discuss the abrupt transformation of stars after shining brightly for millions or billions of years, once they lack the fuel to counter the force of gravity. Those like our own star, the Sun, become red giants, expanding outwards and consuming nearby planets, only to collapse into dense white dwarves. The massive stars, up to fifty times the mass of the Sun, burst into supernovas, visible from Earth in daytime, and become incredibly dense neutron stars or black holes. In these moments of collapse, the intense heat and pressure can create all the known elements to form gases and dust which may eventually combine to form new stars, new planets and, as on Earth, new life. The image above is of the supernova remnant Cassiopeia A, approximately 10,000 light years away, from a once massive star that died in a supernova explosion that was first seen from Earth in 1690 With Martin Rees Astronomer Royal, Fellow of Trinity College, Cambridge Carolin Crawford Emeritus Member of the Institute of Astronomy and Emeritus Fellow of Emmanuel College, University of Cambridge And Mark Sullivan Professor of Astrophysics at the University of Southampton Producer: Simon Tillotson

Melvyn Bragg and guests discuss the Austrian-born film director Fritz Lang (1890-1976), who was one of the most celebrated film-makers of the 20th century. He worked first in Weimar Germany, creating a range of films including the startling and subversive Mabuse the Gambler and the iconic but ruinously expensive Metropolis before arguably his masterpiece, M, with both the police and the underworld hunting for a child killer in Berlin, his first film with sound. The rise of the Nazis prompted Lang's move to Hollywood where he developed some of his Weimar themes in memorable and disturbing films such as Fury and The Big Heat. With Stella Bruzzi Professor of Film and Dean of Arts and Humanities at University College London Joe McElhaney Professor of Film Studies at Hunter College, City University of New York And Iris Luppa Senior Lecturer in Film Studies in the Division of Film and Media at London South Bank University Producer: Simon Tillotson

Melvyn Bragg and guests discuss the simple animals which informed Charles Darwin's first book, The Structure and Distribution of Coral Reefs, published in 1842. From corals, Darwin concluded that the Earth changed very slowly and was not fashioned by God. Now coral reefs, which some liken to undersea rainforests, are threatened by human activity, including fishing, pollution and climate change. With Steve Jones Senior Research Fellow in Genetics at University College London Nicola Foster Lecturer in Marine Biology at the University of Plymouth And Gareth Williams Associate Professor in Marine Biology at Bangor University School of Ocean Sciences Producer Simon Tillotson.

Jupiter is the largest planet in our solar system, and it’s hard to imagine a world more alien and different from Earth. It’s known as a Gas Giant, and its diameter is eleven times the size of Earth’s: our planet would fit inside it one thousand three hundred times. But its mass is only three hundred and twenty times greater, suggesting that although Jupiter is much bigger than Earth, the stuff it’s made of is much, much lighter. When you look at it through a powerful telescope you see a mass of colourful bands and stripes: these are the tops of ferocious weather systems that tear around the planet, including the great Red Spot, probably the longest-lasting storm in the solar system. Jupiter is so enormous that it’s thought to have played an essential role in the distribution of matter as the solar system formed – and it plays an important role in hoovering up astral debris that might otherwise rain down on Earth. It’s almost a mini solar system in its own right, with 95 moons orbiting around it. At least two of these are places life might possibly be found. With Michele Dougherty, Professor of Space Physics and Head of the Department of Physics at Imperial College London, and principle investigator of the magnetometer instrument on the JUICE spacecraft (JUICE is the Jupiter Icy Moons Explorer, a mission launched by the European Space Agency in April 2023) Leigh Fletcher, Professor of Planetary Science at the University of Leicester, and interdisciplinary scientist for JUICE Carolin Crawford, Emeritus Fellow of Emmanuel College, University of Cambridge, and Emeritus Member of the Institute of Astronomy, Cambridge

In 1956 Oxford University awarded an honorary degree to the former US president Harry S. Truman for his role in ending the Second World War. One philosopher, Elizabeth Anscombe (1919 – 2001), objected strongly. She argued that although dropping nuclear bombs on Hiroshima and Nagasaki may have ended the fighting, it amounted to the murder of tens of thousands of innocent civilians. It was therefore an irredeemably immoral act. And there was something fundamentally wrong with a moral philosophy that didn’t see that. This was the starting point for a body of work that changed the terms in which philosophers discussed moral and ethical questions in the second half of the twentieth century. A leading student of the philosopher Ludwig Wittgenstein, Anscombe combined his insights with rejuvenated interpretations of Aristotle and Thomas Aquinas that made these ancient figures speak to modern issues and concerns. Anscombe was also instrumental in making action, and the question of what it means to intend to do something, a leading area of philosophical work. With Rachael Wiseman, Senior Lecturer in Philosophy at the University of Liverpool Constantine Sandis, Visiting Professor of Philosophy at the University of Hertfordshire, and Director of Lex Academic Roger Teichmann, Lecturer in Philosophy at St Hilda’s College, University of Oxford Producer: Luke Mulhall

Death in Venice is Thomas Mann’s most famous – and infamous - novella. Published in 1912, it’s about the fall of the repressed writer Gustav von Aschenbach, when his supposedly objective appreciation of a young boy’s beauty becomes sexual obsession. It explores the link between creativity and self-destruction, and by the end Aschenbach’s humiliation is complete, dying on a deckchair in the act of ogling. Aschenbach's stalking of the boy and dreaming of pederasty can appal modern readers, even more than Mann expected. With Karolina Watroba, Post-Doctoral Research Fellow in Modern Languages at All Souls College, University of Oxford Erica Wickerson, a Former Research Fellow at St Johns College, University of Cambridge Sean Williams, Senior Lecturer in German and European Cultural History at the University of Sheffield Sean Williams' series of Radio 3's The Essay, Death in Trieste, can be found here: https://www.bbc.co.uk/programmes/m001lzd4

Sophocles’ play Oedipus Rex begins with a warning: the murderer of the old king of Thebes, Laius, has never been identified or caught, and he’s still at large in the city. Oedipus is the current king of Thebes, and he sets out to solve the crime. His investigations lead to a devastating conclusion. Not only is Oedipus himself the killer, but Laius was his father, and Laius’ wife Jocasta, who Oedipus has married, is his mother. Oedipus Rex was composed during the golden age of Athens, in the 5th century BC. Sophocles probably wrote it to explore the dynamics of power in an undemocratic society. It has unsettled audiences from the very start: it is the only one of Sophocles’ plays that didn’t win first prize at Athens’ annual drama festival. But it’s had exceptionally good write-ups from the critics: Aristotle called it the greatest example of the dramatic arts. Freud believed it laid bare the deepest structures of human desire. With: Nick Lowe, Reader in Classical Literature at Royal Holloway, University of London Fiona Macintosh, Professor of Classical Reception and Fellow of St Hilda’s College at the University of Oxford Edith Hall, Professor of Classics at Durham University

Melvyn Bragg and guests discuss the power-packs within cells in all complex life on Earth. Inside each cell of every complex organism there are structures known as mitochondria. The 19th century scientists who first observed them thought they were bacteria which had somehow invaded the cells they were studying. We now understand that mitochondria take components from the food we eat and convert them into energy. Mitochondria are essential for complex life, but as the components that run our metabolisms they can also be responsible for a range of diseases – and they probably play a role in how we age. The DNA in mitochondria is only passed down the maternal line. This means it can be used to trace population movements deep into human history, even back to an ancestor we all share: mitochondrial Eve. With Mike Murphy Professor of Mitochondrial Redox Biology at the University of Cambridge Florencia Camus NERC Independent Research Fellow at University College London and Nick Lane Professor of Evolutionary Biochemistry at University College London Producer Luke Mulhall

In 1661 the 23 year-old French king Louis the XIV had been on the throne for 18 years when his chief minister, Cardinal Mazarin, died. Louis is reported to have said to his ministers, “It is now time that I govern my affairs myself. You will assist me with your counsels when I ask for them [but] I order you to seal no orders except by my command… I order you not to sign anything, not even a passport, without my command, and to render account to me personally each day” So began the personal rule of Louis XIV, which lasted a further 54 years until his death in 1715. From his newly-built palace at Versailles, Louis was able to project an image of himself as the centre of gravity around which all of France revolved: it’s no accident that he became known as the Sun King. He centralized power to the extent he was able to say ‘L’etat c’est moi’: I am the state. Under his rule France became the leading diplomatic, military and cultural power in Europe. With Catriona Seth Marshal Foch Professor of French Literature at the University of Oxford Guy Rowlands Professor of Early Modern History at the University of St Andrews and Penny Roberts Professor of Early Modern History at the University of Warwick Producer: Luke Mulhall

In the year 29 BC the great Roman poet Virgil published these lines: Blessed is he who has succeeded in learning the laws of nature’s working, has cast beneath his feet all fear and fate’s implacable decree, and the howl of insatiable Death. But happy too is he who knows the rural gods… They’re from his poem the Georgics, a detailed account of farming life in the Italy of the time. ‘Georgics’ means ‘agricultural things’, and it’s often been read as a farming manual. But it was written at a moment when the Roman world was emerging from a period of civil war, and questions of land ownership and management were heavily contested. It’s also a philosophical reflection on humanity’s relationship with the natural world, the ravages of time, and the politics of Virgil’s day. It’s exerted a profound influence on European writing about agriculture and rural life, and has much to offer environmental thinking today. With Katharine Earnshaw Senior Lecturer in Classics and Ancient History at the University of Exeter; Neville Morley Professor of Classics and Ancient History at the University of Exeter and Diana Spencer Professor of Classics at the University of Birmingham Producer: Luke Mulhall