On this episode, we're staying in the late sixties as we watch Luchino Visconti's The Damned (1969). Following our exploration rising authoritarianism in Costa-Gavras' Z (1969) and reactionary Brazilian politics in Glauber Rocha's Entranced Earth (1967), we're heading right into the Nazi den that is the von Essenbeck family in late 1930's Germany.

A scathing critique of the German industrial elite's seduction by (and complicity in) the rise of Nazism, Visconti shows how a wealthy family's greed and moral corruption lead them to embrace fascism in order to maintain their social and economic status. 

Watching the family's willful, strategic cruelty, we see how the wealthy can easily transition from aristocratic privilege to supporting authoritarian rule. It's quite an illustration of how capitalism and fascism intertwine. If it's been a while since you've seen it, The Damned will resonate deeply with a revisit.  

On a lighter note, by watching some Visconti, Aaron finally understands how Isaac feels about Godard.

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