This is one of those weird cases. A girl walked home alone, about a ten minute walk, only she never made it home. The girl in question is Melanie Ethier, she was 15. After watching a movie at her friend's house, she was never seen again. The town of New Liskeard and the surrounding communities had a total population of about 11,000 people, so crimes of this nature weren't all that common. The investigation lead nowhere. And to this day, there has been next to no evidence or leads as to what happened to Melanie Ethier. Paypal Merch:  www.redbubble.com/people/horrorshots Youtube Website: Horror Shots Instagram: ominousoriginspod Facebook: Horrorshots

From abandoned palaces to Revolutionary executions, this Q&A dives into five gripping questions from the community! Why didn’t Louis XVI flee during the October Days of 1789? What became of Versailles after the royal family moved to Paris? Why didn’t the Royal Navy intervene during the 1793 Siege of Dunkirk? Were there more “polite” versions of Republican marriages and baptisms? Why did the Jacobins bother with the show trials of 1793? What was the purpose behind prosecuting the Girondins and Marie Antoinette? Submit Your Questions! Keen to have your questions answered? Either post them on Patreon or submit a question in the community chat on Discord! As always, thank you for your support of the show! The Grey History Community Help keep Grey History on the air! Every revolution needs its supporters, and we need you! With an ad-free feed, a community discord, and tonnes of exclusive bonus content, you're missing out! Do your part for as little as half a cup of coffee per episode! It's the best value on the internet, with the best people too! ⁠⁠Join Now And Support the Show⁠⁠ ⁠⁠Make a one-off donation⁠⁠ Early Access Don't wait! Support the show and listen to Episode 1.89 ⁠⁠⁠"The Republic Strikes Back!"⁠⁠⁠ now! Available for all True Revolutionaries and above! Contact Me Send your questions, praise, and scorn ⁠⁠here⁠⁠ Newsletter ⁠⁠Sign Up⁠⁠ for Free Bonus Episode Follow on Social Media: ⁠⁠Facebook⁠⁠ ⁠⁠Instagram⁠⁠ ⁠⁠X⁠⁠ Advertising Please contact ⁠⁠sales@advertisecast.com⁠⁠ if you would like to advertise on Grey History: The French Revolution and Napoleon. All members of the Grey History Community have an ad-free version of the show. Support the show ⁠⁠here⁠⁠. About Grey History: The French Revolution and Napoleon is a podcast dedicated to exploring the complexities of our history. By examining both the experiences of contemporaries and the conclusions of historians, Grey History seeks to unpack the ambiguities and nuances of the past. Understanding the French Revolution and the age of Napoleon Bonaparte is critical to understanding the history of the world, so join us on a journey through a series of events that would be almost unbelievable if it weren't for the fact that it's true! If you're looking for a binge-worthy history podcast on the Revolution and Napoleon, you're in the right place! Learn more about your ad choices. Visit megaphone.fm/adchoices

People who live in Inwood know how truly special it is. Manhattan's northernmost neighborhood (aside from Marble Hill) feels like it's outside of the city -- and in some places, even outside of time and space. Unlike the lower Manhattan's flat avenues and organized streets, Inwood varies wildly in elevation and its streets wind up hills and down into valleys.It's a twenty minute walk from the mysterious "Indian caves" to some of the best Dominican food in New York City. You can experience the ghosts of Gilded Age mansions close to New York's last remaining forest. Revolutionary War artifacts sit a few blocks away from vestiges of a 20th century Irish community.In this special on-location episode, Greg Young and producer Kieran Gannon wind their way through the streets of Inwood and through (that's right) thousands of years of history -- from salt marshes to old amusement parks, from ancient arches to Broadway musicals, with ducks and egrets and dogs and beavers making guest appearances along the way.And since we're on the subject -- what IS the deal with Marble Hill? What do you mean, it's a Manhattan neighborhood?Featuring special guests Melissa Kieweit (Dyckman Farmhouse), Cole Thompson (Lost Inwood) and Led Black (Uptown Collective)Visit the Bowery Boys website for more information on our guests and some additional images.This episode was produced and edited by Kieran Gannon.The Bowery Boys Podcast is proud to be sponsored by FOUNDED BY NYC, celebrating New York City's 400th anniversary in 2025 and the 250th anniversary of the United States in 2026. Read about all the exciting events and world class institutions commemorating the five boroughs legacy of groundbreaking achievements, and find ways to celebrate the city that's always making history.  foundedbynyc.com

In this episode, we review our 9th-ranked film for 1965, “Pierrot le Fou,” a French New Wave film written and directed by Jean-Luc Godard, starring Jean-Paul Belmondo and Anna Karina, and we touch on many of Godard’s other ’60s films as well. Support this project on Patreon!

In this episode of Face2Face, David Peck sits down with development expert and author Ian Smillie to explore his latest memoir, Under Development: A Journey Without Maps. With wit, wisdom, and decades of global experience, Smillie reflects on what he's learned—and unlearned—about international aid, poverty, and the complexity of change. From Sierra Leone to Bangladesh, from the frontlines of the blood diamond trade to the halls of global policy, this thoughtful conversation challenges conventional thinking and offers honest, hopeful insights about what it really means to make a difference.Get a copy of Under Development here.Bio:Ian Smillie is a leading Canadian voice in international development, humanitarian aid, and ethical resource extraction. With over five decades of experience, his work has taken him from teaching in Sierra Leone to advising governments and international organizations on poverty reduction, conflict prevention, and sustainable development. He played a central role in creating the Kimberley Process, an international certification scheme to halt the trade in conflict diamonds, and later chaired the Diamond Development Initiative, promoting fair labor practices for artisanal miners.A gifted storyteller and respected policy thinker, Ian has written extensively on the challenges and contradictions of foreign aid and global development. His books include Blood on the Stone, Freedom From Want, The Alms Bazaar, and Mastering the Machine. His latest memoir, Under Development: A Journey Without Maps, is a deeply personal reflection on the promise and pitfalls of a life spent working for change.Recognized as a Member of the Order of Canada, Ian has served on expert panels for the UN Security Council and taught at leading universities. His sharp insight, global experience, and unwavering moral compass continue to shape conversations about justice, equity, and the role of compassion in international affairs.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visit his site here.With thanks to Josh Snethlage and Mixed Media Sound. Hosted on Acast. See acast.com/privacy for more information.

After surviving the chaos of the Hell on Wheels towns of Wyoming, the Union Pacific pushes into Utah. Once there, they call upon Mormon workers to help build through treacherous canyons as they inch closer to the finish line at Promontory Summit.  Thanks to our sponsor, HelloFresh! To get started, check out our plan: HelloFresh.com/legends10fm Join Black Barrel+ for ad-free episodes and bingeable seasons: blackbarrel.supportingcast.fm/join Apple users join Black Barrel+ for ad-free episodes, bingeable seasons and bonus episodes. Click the Black Barrel+ banner on Apple to get started with a 3-day free trial. For more details, visit our website www.blackbarrelmedia.com and check out our social media pages. We’re @OldWestPodcast on Facebook, Instagram and Twitter. On YouTube, subscribe to LEGENDS+ for ad-free episodes and bingeable seasons: hit “Join” on the Legends YouTube homepage. Learn more about your ad choices. Visit megaphone.fm/adchoices

This Is What Reinvention Really Looks Like! When Jennifer Polt walked away from her high-level corporate job to become a full-time influencer and confidence coach, she had a plan. What she didn’t plan for? Her husband leaving just three weeks later. In this honest, funny, and deeply inspiring conversation, Jen—known online as Making Up for Glossed Time—shares the full arc of her midlife reinvention. From starting her platform during the pandemic to navigating heartbreak, launching her coaching business, and dancing in sequins for millions online, she’s built a brand rooted in self-expression, style, and substance—and she’s not afraid to show the messy middle. If you’ve ever wondered what it really takes to reinvent yourself after 50, this episode is for you.   🌻 If you’re feeling inspired, I’d love for you to share your thoughts about this episode on social media and tag me @latebloomerliving.   🌻Don’t forget to subscribe to the podcast so you never miss an episode!    🌻 Need a little more FUN in your life? Come to The PLAYshop!  Sign up for the waitlist and get in on the fun! 🛼 💥

Send us a textWhat happens when you trade your corner office for a street piano and find more meaning in playing for strangers than climbing the corporate ladder? Steven Ridley's remarkable journey from investment banker to globe-trotting pianist reveals the transformative power of following your instincts, even when logic screams otherwise."I'd wake up miserable, knowing all I'm going to do today is something that's going to make me more miserable," Steven confesses about his former banking career. Despite winning accolades and earning substantial money, he found himself caught in the "golden handcuffs" that trap so many high-achieving professionals. His breaking point came unexpectedly - winning "analyst of the year" only confirmed how deeply disconnected he felt from his work. What followed was a spontaneous resignation that his CEO predicted would "ruin his life."Instead, that leap into the unknown led Steven to a secondhand piano on a London street, where playing for passing crowds yielded more than just coins in a hat - it delivered genuine joy and human connection. "Money has a price," Steven reflects. "What I was paying that morning in banking was everything - my passion, my freedom, my health, my relationships, my future." This powerful insight flipped his understanding of value upside down, leading to performances in 82 countries and eventually creating his own piano academy.The most compelling aspect of Steven's story isn't just his personal transformation but the wisdom he shares about creating your own path: take small, consistent steps rather than being paralyzed by the gap between where you are and where you want to be. Focus on providing value by asking "What can I do for you?" rather than "What's in it for me?" Embrace playful curiosity instead of rigid planning. And perhaps most importantly, recognize that "the only thing harder than chasing your dreams is not chasing your dreams."Ready to reconsider what success truly means in your own life? This episode might just be the permission slip you need to take that first step toward authentic fulfillment. Your piano in the street is waiting.To Learn more about Stephen Ridley: Linkedin: https://uk.linkedin.com/in/mrstephenridley To Reach Jordan:Email: Jordan@Edwards.Consulting Youtube:https://www.youtube.com/channel/UC9ejFXH1_BjdnxG4J8u93Zw Facebook: https://www.facebook.com/jordan.edwards.7503 Instagram: https://www.instagram.com/jordanfedwards/ Linkedin: https://www.linkedin.com/in/jordanedwards5/ Hope you find value in this. If so please provide a 5-star and drop a review.Complimentary Edwards Consulting Session: https://calendly.com/jordan-555/intro-call

Captivating audiences since his teenage years, Eric Travers has solidified his status as a seasoned musician in the vibrant Asheville music scene. Hailing from the mountains of Black Mountain, NC, Travers first made his mark as the heartbeat behind an acclaimed Rock n Roll, Jam Band, Travers Brothership, which he co-founded with his brother Kyle at just 13 years old. Over the past 15+ years, the group has amassed an impressive catalog of 35+ published tracks and extensive touring experience. Now 31, Travers has reached new heights in 2024 with the release of his latest single, "Dead End Street," and his new role as Owner and CEO of the All Aboard Records label. Drawing from his diverse musical background in rock, Americana, and blues, Travers' emotive performances and melodic sensibilities have earned him a dedicated following across Western North Carolina and beyond, cementing his role in the local music scene. With the launch of his latest project, the Eric Travers Band, this versatile multi-instrumentalist is primed to take his artistry to thrilling new levels.1. Background and Music CareerHow did you get started in music? What inspired you to pursue it as a career?My father was a career musician who always had instruments and fellow musicians around. My first "real" drumset was gifted to me when I was 8-9 years old. It became a dream of mine when I received praise and applause from my cousins playing air guitar at the age of 3 and 4. I was inspired to start a career in music because I made enough money to barely get by as a musician and this was my end goal. All or none. I sought out a living and a labor of love.When did you first start performing and touring?My first performance was for my school, performing an Elvis Christmas song with my twin brother and father. Performing regularly started when I was 15, with my brother, playing shows from Brevard, NC all the way to Marion, NC as "Travers Brothers Band / Caution Tape", a four piece Rock n' Roll outfit with a 2010, 10 track LP. Our bandmate's father helped us with transportation for 3 years. Touring started after my time freed up, at the age of 17. (When we could drive). I made the choice to leave college for the career in music. Now the band was performing for only $200 every Thursday in Greensboro, NC. A 2 1/2 hour drive from our hometown, Black Mountain, NC.How would you describe your musical style, and how has it evolved over time?My music style is American roots music. When I was 11-13 my band "The Predatorz" played strictly Rock n' Roll like Jimi Hendrix and ZZ Top. I started playing piano and acoustic guitar at this time which was strictly music by The Beatles. "Caution Tape--> Travers Brothers Band" then came along at 14-17. And the Rock n Roll became more jam band oriented with extended guitar solos influenced by The Allman Brothers Band. Then, groove oriented funk music became a thing.My brother and I founded a very successful touring band at the age of 18 called Travers Brothership. In 2012 our debut release was very progressive, soulful, funk and rock group. For the next 4 years we toured with 7 members performing what we called "funkadelic" music. Our 3 piece horn (brass) section helped color this genre.In 2016 the lineup changed back to the original 4 members of the band including my twin brother. We had no choice but to return to a jammy, Rock n' Roll vibe to keep audiences on their toes. We had to stick to our guns and give the audience a powerful sound to make up for 3 lost players in the band.2. The Traveling ExperienceWhat is the most exciting part about traveling for your music?The most exciting part is seeing landmarks, going to new places, seeing national parks and observing the different arts and cultures.How do you typically prepare for a tour? Does your preparation change depending on where you’re performing?When preparing for tour I have to make sure my drumset is ready for performance. All items must be accounted for in our vehicle and/or trailer. In the beginning I required everyone to have foodstamps. We got by with very little. When we were traveling for longer lengths of time we brought more clothes and made sure our vehicle was in proper condition. Eating nutriously required extra packing which was always tough because everyone's priorities are different. Our preparation will change if we are traveling further, flying or if we need our clothes to be nicer. Dressing accordingly is just one step "above" the audience - say, if the audience has T-shirts, we wear button downs.How do you stay grounded and connected to home while you’re on the road?Staying connected to home always came with forfeiting home for the road. My dog traveled with me everywhere. The road and music were my home and a way of life.Have you ever had a surprising or unexpected cultural experience while performing in a different country or city?New Orleans, LA was a culture shock. The large but small music community was humbling. The experience of spending time in Hamburg, Germany was unexpected because some tour dates were canceled. I spent 1 week here. This atmosphere was very interesting and intimidating. 3. Life on the RoadCan you walk us through a typical day on the road for you? What’s the routine like?Our road life followed a minimalist lifestyle. The band had to be weekend warriors. Days on the road started by waking up in someone else's house either on the floor or a random bed. We would normally sleep in as late as possible. We would take turns showering and get on the road asap. Play time was hard because a 4 person vote to do something is really annoying. In the van we mainly slept. There are a lot of road rules. We'd show up at a show, perform and hopefully rely on night life to prepare us for a place to crash. Hotels were hardly an option until we became established enough for a living wage. The routine followed Day of Show instructions but life on the road followed lifestyle. We all had our own lifestyle. I am epileptic so staying healthy was my main goal.What are some of the most challenging aspects of life as a touring musician?Musicians don't get paid much. This is a challenge and hard to keep a band together because of this. When keeping track of your tour dates you can see that you've played 300 shows but only once in a certain market, so they're not paying you. The hardest part is the time spent between the stage and the bus. The culture, nightlife and fun is the biggest challenge. You would believe that not getting paid is worth it, for site seeing and a good time; however, all time must be spent with comradery and focus.How do you manage the physical and mental toll of constant travel, late nights, and performing?Our band couldn't manage the physical and mental toll. We broke up after 10 years due to a mental health crisis. Alcohol was introduced to us whenever we were 14 and 15. Everyone wants to party with the artist. If you don't become part of the culture you're not doing your job. Or are you? My job was to network and find our next opportunity until and we were more established. I wrecked two vans on tour having a seizure, due to poor health. Our backs started to hurt. We didn't take care of ourselves or know how to. It can be a really hard life and managing everything is very challenging.4. Performing to Different AudiencesWhat’s it like performing in new cities or countries where the audience may not know your music?The band and I stick to our guns. When you're playing original music confidently with passion and love, everyone reacts the same way. We would change our set for different audiences, though. Europe liked blues and rock. Frat parties liked dance music. Local bars liked cover songs.How do you adapt your performance for different audiences and cultures?I personally liked changing outfits and/or suggesting different songs. Say, in the south we would cover an Allman Brothers Song or play my country influenced original. Or, in a Latin culture like Spain we would cover Santana.Do you notice any commonalities in the energy or reaction of audiences around the world, or does it vary a lot?There are a few different types of shows and audiences: one is the crowd that is there for the culture, and not the music, while another is strictly listening, and then a fully supported original crowd that is mainly family/friends. A festival and jam band community always followed us. Our crowds can always mingle. Our "family". Music is a universal language. All in all our band found it's way in to a "jam band" grateful dead scene.5. Connection with FansHow do you build a connection with your fans when you’re on the road?Building connection comes with personal experience or online presence. Do you have any memorable stories about a fan encounter or a meaningful moment with someone in the crowd?I remember performing on stage in front of the biggest crowd I have ever played in front of and locking eyes with my dad, who was in "awe". Also, moments in which I've inspired other musicians to pursue a career. I remember a time setting up a fans drumset for his son.What role do social media and online engagement play in connecting with your audience while traveling?These play the largest roles. Keeping fans interested can be challenging. There's only so much you can do. If you're not a strong personality then you will struggle in this business.6. Challenges of TouringWhat has been one of your biggest challenges while touring, and how did you overcome it?Getting along and my seizures. Mental health is the biggest challenge for every musician. Saying no to drugs and alcohol.Have you ever had a tour or performance go completely wrong? How did you handle it?Things have gone completely wrong before. Sometimes, admitting defeat is the best option if things are failing. But at the end of the day, if the show must go on, then it must go on. You can follow Eric on instagram @allaboardrecords and Facebook, and find his music on Apple Music, Spotify, or anywhere you like to stream!!

The Benefits of Speaking in Tongues II