Welcome to our second episode of short stories all about what may be the original designed object: the trail. If you haven’t heard the first episode yet you should totally go back and listen. It’s a lot of fun.Take this episode with you on your next hike!Trail Mix: Track Two
We deconstruct and examine what might be the original designed object-- the humble trail. We discuss how park trails are designed, what makes a good trail, and...what even is a trail anyway?Trail Mix
Back in January, Bloomberg News published a story quoting an obscure government official named Richard Trumka Jr. He works with the Consumer Product Safety Commission, which regulates stuff like furniture and electronics and household appliances. Basically, the agency is supposed to make sure that the stuff we buy is safe, and won't kill us or make us sick. The Bloomberg story talked about how a growing body of research shows that gas stoves are really bad for indoor air quality. They let off pollutants like nitrogen dioxide and carbon monoxide, and they've been linked to heart problems, cancer, and asthma. And in this story, Trumka said the government would look into it, and maybe recommend some regulations on the appliance. Within days, the US went batshit crazy and gas stoves were all over the news. They had become the subject of the latest skirmish in our seemingly never-ending culture war. Cooking with Gas
Andrew Leland grew up with full vision, but starting in his teenage years, his sight began to degrade from the outside in, such that he now sees the world as if through a narrow tube. Soon—but without knowing exactly when—he will likely have no vision left. In this episode, Andrew takes us through the fascinating history of alternative reading technologies designed for blind people and discusses his fantastic new book The Country of the Blind, which is out today!The Country of the Blind
This past May, the city of Los Angeles rolled out a brand new, state-of-the art feature for bus shelters. It’s called La Sombrita. La Sombrita is a metal screen that’s intended to provide shade for the thousands of people who ride the bus every day. The shade screen is about two feet wide, ten feet tall, and it kinda looks like a curved teal metal surfboard filled with tiny holes. Right away, Angelinos were not happy. This heated conversation got us thinking about our interview with Sam Bloch about inequality and shade and we asked Sam back to get thoughts about La Sombrita, and whether the controversial shade sail could actually be a good thing for shade-starved Angelinos. Shade Redux
In the 1980s, the little Christian comic books known as Chick Tracts were EVERYWHERE. You’d find them in movie theaters and bus station bathrooms, on subways, and all over shopping malls. People would slip them inside VHS rentals or library books. Many Chick Tracts are black and white Christian horror stories that pull from a huge cast of characters: witches, bikers, Hindus, rock and rollers, Catholics, queer people, truckers, Masons and trick-or-treaters. And at some point in the tract, the protagonist often has to make a choice: either accept Jesus as their savior, or get tossed like cordwood into a Lake Of Fire. Chick Tracts have left a really complicated legacy. Collectors are mesmerized by their edginess and kitsch. The Smithsonian regards Chick Tracts as American religious artifacts, and keeps a bunch of them in its vaults. At the same time, many of these comics are filled with some ugly and dangerous messages, including homophobia and Islamophobia. So the same tracts that have been hoarded and preserved have ALSO been boycotted and banned, and condemned as hate speech.
In Proximity is a podcast from Proximity Media about craft, career, and creativity.Proximity founder Ryan Coogler talks all about podcasts with Roman Mars, host and creator of 99% Invisible, a sound-rich narrative podcast about architecture and design. They discuss holding pandemic meetings about the business of podcasting, Roman’s journey from science to public radio to 99% Invisible, finding the balance between being an artist and business owner plus why Roman believes a producer is the highest form of worker, collaborating on the Judas and the Black Messiah Podcast, the read-to-tape system, and Prox Recs that include a good coffee table book that will impress your friends and how to make great radio.Listen to In Proximity on Apple Podcasts, Spotify, YouTube, or your favorite podcast app.
This week we're featuring an episode of The Last ArchiveThe Last Archive is a history show. Our evidence is the evidence of history, the evidence of archives. Manuscripts, photographs, letters and diaries, government documents. Facebook posts, Youtube videos, DVDs. Oral histories. This stuff is known as the “historical record,” but of course it’s not a record, in the sense of an audio recording: It’s everything.On this episode of The Last Archive, the story of the composer Raymond Scott’s lifelong quest to build an automatic songwriting machine, and what it means for our own AI-addled, ChatGPT world.
After World War I, in Frankfurt, Germany, the city government was taking on a big project. A lot of residents were in dire straits, and in the second half of the 1920s, the city built over 10,000 public housing units. It was some of the earliest modern architecture — simple, clean, and uniform. The massive housing effort was, in many ways, eye-poppingly impressive, with all new construction and sleek, cutting edge architecture. But one room in these new housing units was far and away the most lauded and influential: and that was the kitchen.Many consider the Frankfurt Kitchen to be nothing less than the first modern kitchen. A few of these kitchens still exist, some in museums. And it's strange to see one there, because to modern eyes, it doesn’t appear to be high art. It just looks like a kitchen.The Frankfurt Kitchen
Amid the noisy bustle of Mexico City, there is a particularly iconic sound echoing on repeat in the background. This recording blares from trucks that cruise the streets all across this massive city. The crews inside are looking to buy old household items and appliances to fix and resell or to just sell for scrap. Basically, they’re scrap metal haulers, and the recording is their pitch to prospective sellers. Their pitch culminates in "o algo de fierro viejo que vendan," which basically means “or any old metal thing you’re selling.” This last bit has become the recording’s namesake: fierro viejo, literally “old iron.”How this recording (and its subsequent remixes for live performances and otherwise) managed to achieve icon status in Mexico is a story of an unlikely alchemy: a family that, through grit, talent and a bit of luck, transmuted scrap metal into poetry, music, and joy.The Siren of Scrap Metal