It’s a South Carolina trip for the New Music Train May 2025 New Music Train in this episode, in which Harris King takes over the driving seat. He discusses new music from Blondeshell, Deradoorian and Alan Sparhawk with Trampled by Turtles. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart,Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

EP. 552 🎤 MzHipHop chops it up with Queens Hip-Hop artist SoSoon about the inspiration behind his newly released single “Move Around” — plus the creative vision behind the cover art. Tap in for the story behind the visuals and more! 🎶 Check out the full episode on IG: @mvpv44#SpeakYoMindRadio #HipHopNews #IndieArtist #RapTalk #MoveAround #MusicArt #2000sVibes #ProducerLife #UndergroundHipHop #SoSoon

Grab your razorblades and start slashing your speaker cones because Dave Davies has come to TOAP! Listen in as Damian sits down with The Kinks' guitar god to talk about helping to create and loving punk! From hanging with Jayne County, to The Jam vs Van Halen, to the greatness of Mick McManus, to getting booked by John Wayne Gacy, to some people just not getting The Kinks and so much more: DON'T MISS THIS ONE!Also don't miss the fantastic finale volume of The Kinks' anthology series: "The Journey Part 3"! Covering the bands' amazing 1977-84 period ("the punk years"), it's hand selected by Dave and co. and available everywhere July 11!Support this podcast at — https://redcircle.com/turned-out-a-punk/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Richard Fearless is a true lifer. The DJ, producer and Death In Vegas founder sits down with Paul to reflect on 30 years of musical evolution that has taken him from the hugely influential Heavenly Social to Mercury Prize nominations, a top ten hit about a serial killer sung by Iggy Pop to his current creative renaissance, working free from industry bullshit and producing his best work in years,Growing up in remote Zambia with music-loving parents, Fearless recalls connecting with music at an early age. His path would lead through the emerging London techno scene of the late '80s and '90s, where he cut his teeth as a resident DJ alongside contemporaries like Andrew Weatherall and The Chemical Brothers before launching Death in Vegas. The conversation reveals a pivotal moment when commercial success led to a crossroads rather than continued mainstream pursuit.What emerges is the portrait of an artist who deliberately stepped away from major labels, management, and industry expectations to craft a more authentic sonic identity. His riverside studio "The Metal Box" becomes central to this narrative – an analog sanctuary where tape machines, field recordings, and environmental sounds combine to create the stripped-back, trance-inducing techno of his current work. "I make my best music when I'm digging deep within myself," he explains.Perhaps most compelling is Fearless's admission that he feels more proud of his recent, independent work than the commercial hits that brought him fame. His collaborative ventures with friend of Lost and Sound Daniel Avery and new dub-inspired night "Holy" demonstrate an artist still pushing boundaries rather than retreating into nostalgia. "I feel as excited about DJing as I was when I was 20," he confesses, signaling that artistic liberation has reinvigorated his passion.Death Mask by Death In Vegas is out now. Listen on  BandcampFollow Death In Vegas on Instagram:  @deathinvegasmusicIf you enjoy Lost and Sound, I’ve got a little favour to ask: please subscribe, leave a rating, and write a quick review on your favourite podcast platform. It really helps others find the show. You can do that here on Apple Podcasts, Spotify, or wherever you like to listen.Huge thanks to Lost and Sound’s sponsor, Audio-Technica – makers of vcry fine engineered audio gear. Check them out here: Audio-TechnicaWant to go deeper? Grab a copy of my book Coming To Berlin, a journey through the city’s creative underground, via Velocity Press.And if you’re curious about Cold War-era subversion, check out my BBC documentary The Man Who Smuggled Punk Rock Across The Berlin Wall on the BBC World Service.You can also follow me on Instagram at @paulhanford for behind-the-scenes bits, guest updates, and whatever else is bubbling up

Apply here: https://aristake.io/apply Hosted on Acast. See acast.com/privacy for more information.

Fred Schneider of The B-52s discusses his massive 10,000+ record collection while sharing stories about the B-52's early days, the original "Rock Lobster" single, vinyl reissues and new boxset. Topics Include: Massive record collection visible in wall-to-ceiling custom cabinets Estimates 10,000+ records, considers himself a "record nut" Collection includes avant-garde, classical, funk, soul, bad records Loves bad Christmas records and Halloween records specifically Been collecting since age 13, started in early days Currently has broken receiver, can't play main system Portable player works for 45s but stops unexpectedly Still adding records but doing major purge now Selling and donating records, too many to listen to Donates to Archive of Contemporary Music organization regularly Most precious records are original 45s from youth Still has first album mother bought thinking Beatles Moved into funk, Led Zeppelin, then New Wave music Was Sirius Satellite Radio DJ for three years Prefers first pressings, doesn't care about reissues much Looking for "When I'm Gone" by Brenda Holloway Will clean up scuffed records if sound improves Vinyl never left his turntable despite CD popularity Listens to music most of day while doing activities Plays classical mornings while reading magazines and coffee Enjoys electronic music from 50s/60s and harp music B-52s sound came from all members' varied influences Band was lumped with punk but more "freak punk" Original "Rock Lobster" single recorded in Georgia mountains DB Records pressed 2,000 copies, sold out quickly Eventually pressed 30,000 total copies of original single Australia embraced band early, rolled out red carpet Band never saw penny from original single sales Talking Heads recommended B-52s to their manager successfully Enter to win a record from us to celebrate Ep500 High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Emilio Sparks is joined by his "Gym Dad" Bald Steve to clang & bang & fantasy book a big wrestling What If: A Roddy Piper Championship run. NEW HOODIES AVALIABLE NOW! https://wrasslerap.com/product/wrassle-rap-hoodie/ Follow us on social media! https://www.x.com/emiliosparks  https://www.instagram.com/emiliosparks https://www.youtube.com/@TheEmilioSparks https://www.tiktok.com/@emiliosparks https://www.instagram.com/WrassleRap https://x.com/WrassleRap 

Featured Songs: The Disco Biscuits - 06-05-21 - Pygmy Twylyte - Westville Music Bowl - New Haven, CT Dopapod - 06-06-21 - School’s Out - Vinoski Winery - Belle Vernon, PA The Infamous Stringdusters - 06-12-21 - Hight Country Funk - Telluride Bluegrass Festival - Telluride, CO Greensky Bluegrass - 06-19-21 - Light Me Up or Leave Me Alone - Bank of New Hampshire Pavilion - Gilford, NH Billy Strings - 06-19-21 - Wargasm - Leach Amphitheater - Oshkosh, WI See omnystudio.com/listener for privacy information.

This episode throws back to season 2, episode 14 when I talked to my friend, Isaac Wang, about the beginning of our music careers and the website. I also share an update on the George Kahumoku Slack Key & Ukulele Workshop.Support the showJoin my newsletter! It's free and I won't spam you. Get updates on new lessons and access to exclusive resources: https://liveukulele.com/signup/Support the podcast: Become a supporting member: https://liveukulele.com/register/supporting-member/?coupon=SUPPORT5 Buy video lessons or a book: https://liveukulele.com/store/ Use my Sweetwater affiliate link next time you need to buy some gear! https://sweetwater.sjv.io/9WbER0. Gear I use to create this podcast: https://liveukulele.com/about/my-gear/#recordingCREDITS- Hosted, produced, edited, and mixed by Brad Bordessa - Theme music by Brad Bordessa: "Fallout," "Eat You," and "Sister's Got a Gun" available on https://bradbordessa.bandcamp.com/

New York-based musician Caroline Shaw is a singer, violinist, composer, and producer who performs in solo and collaborative projects. Growing up in Greenville, NC, her introduction to music came through her mother -- a Suzuki music teacher -- and by listening to her local public radio station! The multi-faceted musician is an innovator whose creative outlets include commissions for a variety of performers and ensembles, singing with the vocal band Roomful of Teeth, and composing for TV, film and stage projects such as the Ken Burns/PBS documentary Leonardo Da Vinci and the FX/Hulu show Fleishman is in Trouble. She has earned 5 Grammy awards, and in 2013 – at age 30 -- she became the youngest recipient of the Pulitzer Prize for Music for her composition, PARTITA FOR 8 VOICES. Suzanne spoke with Caroline Shaw about her life in music.